When several musical drama performances in Indonesia are influenced with international culture, Matah Ati takes the risk to perform in the way that Indonesian Javanese culture truly is. When some other performances use Bahasa Indonesia for the script, Matah Ati becomes the one which the cast speak and sing in Javanese language. Those two uniqueness of Matah Ati are just some among the long list why this opera is a must-watch.
Matah Ati, a performace that involves Javanese dances and music such as Tari Bedoyo and gamelan, is going to be performed at Teater Jakarta, Taman Ismail Marzuki Jakarta on May 13-16, 2011. That won’t be the first time people see it. Matah Ati had been performed before in Esplanade Theatre, Singapore, last October for two days. The tickets were sold out and it successfully gained standing ovation from the audience.
More interestingly, Matah Ati was created based on historical true story. It tells about a woman named Rubiyah who fought against colonialism together with her sweetheart Raden Mas Said. This story also marks the history behind the establishment of Mangkunegaraan Kingdom where Rubiyah was proposed by Raden Mas Said and got her new name Bandoro Raden Ayu Kusuma Matah Ati. That also explains where the performance name derived from. Now we know that Kartini and Cut Nyak Dien are not the only female heroines of Indonesia, we have Rubiyah too.
Writen and directed by Bandoro Raden Ayu Atilah Soeryadjaya, the descendant of Mangkunegaran VII of the Surakarta Palace in Central Java, the script was made through a research for about 2,5 years. To realize her dream in creating this opera, Atilah collaborate with Jay Subiyakto who took the role as the artistic director.
Together they merged their crazy ideas for Matah Ati such as inclined stage to maximize the viewing of the performance. Well I can’t imagine how it feels to dance upon an inclined stage; that must be really difficult! At the press conference of Matah Ati the cast also confessed that one of their biggest challenges in performing Matah Ati is the inclined stage. They need to step, act and dance very carefully or they will fall.
Let’s just wait for other excitements from Matah Ati! In the press conference, some hints were also shared. According to Jay Subiyakto, the performing Matah Ati in Indonesia will involve some explosions, while such act was banned in Singapore. There will also be a shower of jasmine towards the audience in its upcoming show in Indonesia.
Eager for more surprises? It is better to watch Matah Ati for ourselves and book the ticket as soon as possible at the regular ticket boes, priced Rp. 550,000 for the 1st class, Rp. 350,000 for the 2nd class and Rp. 200,000 for the 3rd class. Meanwhile, here are photos of Matah Ati performed at Esplanade Theatre:
Get To Know Our Heritage By Watching ‘Matah Ati’ http://fdly.me/ldoGvV
RT @fashionesedaily: Get To Know Our Heritage By Watching ‘Matah Ati’ http://fdly.me/ldoGvV
RT @fashionesedaily: Get To Know Our Heritage By Watching ‘Matah Ati’ http://fdly.me/ldoGvV
Would love to watch this. RT Get To Know Our Heritage By Watching ‘Matah Ati’ http://t.co/UUpZ3lX
[From The Archive]: Get To Know Our Heritage By Watching 'Matah Ati' http://t.co/aTyCseuE
wahh sepertinya drama musikalnya seru nih,tapi kalo memakai bahasa jawa apalagi jawa halus ,saya menyerah deh…
kurang tau pasti bahasa jawa nya yg halus atau bukan tapi memang sengaja dibikin begitu. Jay Subiyakto juga bilang dia ga mau pasang subtitle, buat pementasan yg di Esplanade sekalipun. Tapi ternyata laris manis juga
Performer nya dari mana nie?? Anak anak ISI Surakarta bukan?? Yeah. . There are a lot of heroiness out there. . Not just kartini, cut nyak dien, christina martha, my mom is one of them. . I luv u mom, u mean so much 4 me. .
iya, audisi pemeran2nya di ISI Surakarta
kalau gak salah, penarinya juga dari keraton, karena gue pernah baca susah banget mereka untuk nari mendongak ke penonton (di keraton harus nunduk or something like that).
i’d love to watch this , but the word ‘bedoyo’ is somehow synonimous with snooz-fest for me:D
betul, penari bedoyo nya yg biasa nari di depan raja jadi terbiasa nari sambil mukanya menunduk &senyumnya dlm hati. kalo di Matah Ati penari bedoyo nya musti belajar muka menghadap penonton sambil senyum
hahaha… iya ya Len, bedoyo identik dengan aluuuus banget sampe ngantuk. tapi kalo penari2 bedoyo keraton begini kayaknya punya aura yg bisa menyihir penonton dengan kelemahgemulaian mereka, deh.
penari jawa memang aslinya ga boleh terlalu ndongak sih wajahnya, badannya juga mesti mendhak & mayuk (agak condong ke depan gitu) CMIIW…
wow,,,, keren banget yah.. semoga Indonesia bisa punya karya2 yang seperti ini yang bisa dibanggakan di luar .. jangan sinetron aj.. hehe
Nyaris tak ada dialog dalam pentas Matah Ati. hanya tarian dan langgam jawa. jadi nggak perlu susah payah memahami naskah. nikmati saja koreografi dan set panggung yang menawan.
great job, Jay. besok2 electronic trap door-nya di tutup apa gitu, biar rangka besinya gak gitu menganggu pemandangan kala membuka dan menutup.